The United States is renowned as the global center for media and entertainment. People use it as inspiration for luxurious living, fashion, and beauty. This bustling metropolis lives on the idea of a high-quality life, even as the USA embraces the city’s diversity and culture.
Numerous renowned persons and celebrities reside in the neighborhood. Others attempt to photograph it as many people visit the USA to witness this way of life.
Trying to sum up Raimondo Rossi in one word is challenging. Raimondo, sometimes known as Ray Morrison, is a Peruvian native who has gained popularity mostly for his diverse artistic output.
He has worked with several magazines as a fashion editor and art director, and last but not least, he has made a name for himself as a photographer. All of these accomplishments are due to his personal styling, which has led to numerous mentions of him as a personality in men’s fashion to watch.
The way that his portraits combine fashion photography with more in-depth and intimate photography allowed us to concentrate on this last component. Don’t believe you’re looking at a classic photograph since Raimondo Rossi draws attention to the subject rather than the styling and product, which are typically the main focal points in such photographs. His images and portraits remind us once again of the beauty of diversity.
He believes, Today, discrimination and injustice are commonplace, and as artists, it is our responsibility to spread awareness and deliver crucial messages. He attempts to accomplish that through his photographs.
He frequently discusses diversity and discrimination in his films to help viewers realise that everyone is created equal, regardless of skin tone. He hopes that society, institutions, young people, and their families would truly embrace certain principles. Today, regrettably, even some magazines have a propensity to focus on a particular issue but wind up doing the exact opposite.
Every photographer has a unique aesthetic and approach to the art. He never loses focus on the subject in front of him while he is working. At the conclusion of the service, he always informs the subject being portrayed that what they will see is an image reinterpreted in an artistic manner and filtered through his eyes. It will be his figure.
He cannot name any specific artists who have had the greatest influence on him. He admires the photographers from a few decades back who theorized imagery that was unquestionably more real, true, and untainted by technology, like Arbus or Bresson. For him, “Man with Curlers” by Diane Arbus is a photograph of the century. a genuine work of art.
He thinks that having a special relationship with the objects or people around us without feeling envious or jealous is akin to donning magic glasses. Freedom is beauty. By adopting this viewpoint, we could defy the long-established aesthetic canons and speak about actual revolutions. Recently, this has occurred with curvy models.